Strange the way that inspiration takes you!
Another day another test of my new Sony A7 R3 camera body so I decided to take the electronic shutter for a test whilst hanging around the Clock Tower in Leicester this morning.
The overall result was that it wasn’t bad at all. I had the shutter set to 1/500th and a mixture of F stops between f2 and f5.6 whilst using the Sony 50mm f1.8 – the so called ‘nifty fifty’. Things seemed to work out really well providing you don’t try to pan too quickly. The big problem I did get, and I had found this out the previous weekend whilst again walking through central Leicester, was that letting the camera rest off my shoulder when it wasn’t being used meant that many of the setting set by both the wheel and function button kept setting themselves to wildly inappropriate settings. Compared to a small amount of rolling shutter this was far more serious.
The best solution to this I have found is to switch the camera off when not using it as at least that way I can guarantee the setting will remain the same. (As I shoot RAW this is an annoyance but if was only shooting JPEG – not sure why you would do that with a 42M Pixel sensor but some people might) – it could mean that many images would become unusable as opposed to needing work in post.) The time delay caused by the camera booting itself up, about 1 – 2 seconds, is less than the time I would have to waste checking that the setting are correct for what I want to do. This is really annoying but hardly a show stopper and when compared to the glorious results this sensor gives is something I can live with.
So the electronic shutter isn’t a problem for me for the way I use my camera compared to changing of settings whilst the camera sits on hip between shots is. But again I’m old enough and ugly enough to have come up with an work around. It hardly enhances the user experience and could be described as a major problem (there may be a solution if I dig deep enough in the menu system, which I have done, but haven’t found a solution to date). I like the images I have captured with the camera and, as I have mentioned more that once, they are only meant to please me – if other people like them is a very welcome bonus.
Another period of immobility – getting old is a real pain! So nothing more to do than to pass the time of day in the garden.
Over the past few weeks my YouTube feed has been inundated with videos explaining why all the scientists, science, NASA, your own eyesight are wrong. The world is flat. I am amazed at the lengths people will go to prove something that is clearly not correct to be correct. Such is life and such are people. I thought about this as I was standing on the top of Warren Hills just to the north of Coalville. To the north you can see just beyond the city of Nottingham and to the south west the hills beyond the city of Birmingham. If only the earth were flat I would have had an incredible view yesterday as I could look to the edge of the disk upon which we all live. I couldn’t and that is because the world is round. Sorry guys.
As I write this it is just about 24 hours since I received my new camera through the post. It is far far too early to give any reasoned views about the machine but first impressions are….well impressive. This morning it was up with the dawn chorus, this being early autumn, that means a more manageable 6:00am. When you venture out into my local park at that day you tend to meet early morning dog walkers and their usually very friendly dogs. Today was no exception and I really don’t mind that but you do have to make it clear to the dog that the lens of my camera is not a place for them to stick their big black damp nose!
Talking of dampness I really need to put on my waterproof boots from now on as the grass is covered in dew and my summer shoes are not, that is an understatement, very waterproof. But it was a beautiful morning and not too chilly so I didn’t mind that much.
Another thing you get at this time of the day are the canadian geese moving from their nighttime roost to their morning feeding place. Now this isn’t as impressive as the winter dawn flights of barnacle geese but is now part of the Leicestershire ecosystem and should accepted.
Autumn is the season to buy a new camera…well at least that is what I seem to do. Early days, it arrived this morning, but it certain shows promise.
As September introduces the first cool winds of Autumn I thought it would be interesting, to me at least, to review how the four art galleries I visited in August dealt with the opening in the ‘New Normal‘ world we now live in.
There was a very relaxed atmosphere at the gallery, we visited within a day or two of it opening. The only real sign that this was the new normal was the need to provide contact details before entering the building and the obligatory perspex screens protecting staff and visitors at information desks and shops. Beyond this it was business as usual so long as don’t get too concerned about wearing a mask which I always think is a small price to pay for reigniting my creative engine. Perhaps the only downside was the closure of the really good restaurant on site but given the circumstances it is understandable.
This was the first time I have been in a crowd for over six months. There was a clear and simple to understand pathway to follow through the galleries and they had managed to open up their restaurant which was a bonus. Unfortunately, the people at the entrance of the main building didn’t seem to be too concerned about keeping 2 metres apart but then again this was on the side of a rather windswept hill and wasn’t repeated inside the buildings nor galleries. The seating in the restaurant was well spaced out which allowed people from different bubbles (a new normal term!) to sit more than two metres apart
This was the first time I had visited a city centre since the whole craziness had started and I just didn’t know how the gallery would handle everything. The answer is brilliantly. When you entered the building there was a machine that measured your temperature and then dispensed gel for you to wash your hands with – simple but perfect solution. After that the staff had really worked hard on a revamp of the museum so that now you followed a curated walk rather than the usual confusing mix of odments with a world class collection of 18th century art. The little cafe was opened and it was clean and airy which helped to make the experience.
The last gallery and the one I felt most disappointed about. Not that the staff were anything other than helpful but the visit lacked any of the spontaneity of the other galleries. Here you were allotted a time and you were then escorted around the gallery. There was none of the freedom to take the art in at a pace that suited the viewer instead you had 15 minutes in one gallery then half an hour in the other and you were escorted between the two and told when your time was up.
The exhibition itself was up to the usual high standards we have come to expect at Compton Verney but all the life had been sucked out of the experience. We asked the staff about the arrangements and they stated they were following the instructions given to them by the government and I am sure that was the case. However, when you compare the Compton Verney experience with the Yorkshire Sculpture Park then they clearly spoke to different people. They are both art galleries set in hundreds of acres of parkland where people come with their young children to run around. They both hold world class exhibitions and yet one was laid back whilst still ensuring the safety of their guest and staff whilst the other seemed to have taken a much more regimented approach that, for me, diminished the experience which is shame because I really appreciate Compton Verney and all they try and do. Hopefully, as things settle down they will find a way of opening up a bit more without compromising safety – perhaps talk to YSP?
There reaches a point in the life of any painting when you just have to stop and take stock. I think I have reached that point now. Time for a break, sleep on things and see what a fresh pair of eyes will see tomorrow. Oh there’s always tomorrow until there isn’t…
It happens to the best. You know the scenario: You start to edit and you realise you are missing some shots are missing for the project to make sense. Nothing for it but you have to assemble the cast and crew at great expense and try and capture the images that are missing. Over the top I know but when I reviewed all the Ironstone Benefice images I felt that Melton Mowbray the Freeby area were not represented. So there was nothing more to do than get out and capture those images.
This makes it sound like a chore but it really wasn’t. What could be better than driving around some of the nicests countryside you’ll find anywhere plus wandering around Melton Mowbray on a bright late summer/early autumn morning. It also filled the gaps.
So this is the definite, last shot for the Ironstone Benefice project. Absolutely, probably, perhaps!