Working in the studio

Well I m hard at in the studio. My that makes me sound like a proper artist. Well I suppose I should describe my studio – it is a small space in the garage but it is all I need at the moment and the light is really good which is the most important thing.

I moved out to the garage when I started to use charcoal – something you can’t really use in the house – well not the way I use it anyway – with force.

I actually find it quite good to have a small cluttered space. As the winter gets colder I might even invest in some heating. Perhaps.

Photo

I’m on line at:

www.flickr.com/photos/guthlac
http://simonmarchini.blogspot.com
www.simonmarchini.co.uk

I hope you enjoy

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Oh what a goal

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More Street Photography

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Still working through the shoot from the other day in London.  That’s strange – thinking about the images I captured with my iPhone as ‘a shoot’.  We do live in a strange and wonderful world.
 

Simon Marchini LRPS

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iPhone and Street Photography

The iPhone is a great camera to use for street photography.   It appears that when you take a large camera out in public many people become apprehensive yet don’t give the iPhone a second look.   Now it is for others to judge whether the results I have obtained are any good, and to be quite honest I am only trying to please myself so if others find the work interesting then that is a bonus.

Anyway, I suggest that people get out there and start to use their iPhone, or any other camera phone for that matter, and see what they can capture – it can be really rewarding.

Simon Marchini LRPS

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Cafe with view

Well I suppose it is the RA but this one of the strangest views I have seen in a cafe!

Photo

I’m on line at:

www.flickr.com/photos/guthlac
http://simonmarchini.blogspot.com
www.simonmarchini.co.uk

I hope you enjoy

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Obsessed by the iPhone camera

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Am I a real photographer any more?  I have a cupboard full of very expensive photographic equipment which I haven’t touched in months, I think I still may well have some images on one of the, I can’t remember the name, oh yes compact flash card, and I just can’t be bothered to upload them.  Does this mean I am no longer a real photographer.

Well like ever thing in life context is king.  If you believe that a ‘real’photographer has to be weighed down by the latest hi-tech gizmos from Japan then yes I am not a real photographer – actually I have never been that bothered by the latest offerings it has just been the type of photography I have been doing over the past few years was easier with the equipment.   Well this is passing and my creative endeavours are moving on.  I am making photographs but are they real?

guess by now you may well have worked out where I am going this.  It is an oldie but good, an old chestnut if you will but, drums roll, the audience gasps, you don’t need to have expensive equipment to produce real or great photographs.  You just need the imagination and just a slice of luck.  Which brings me round to the iPhone camera.

When I tell people that my camera of choice at the moment they tend to give me that look which you give to the widow bearing up after her loss, sympathy with the knowledge that she will get over it and move on.  Well I may get over it but I really do feel we have all been sucked into a pointless mega pixel arms race.  The photographic industry are only too willing to pander to this race – after all if they don’t then we might all realise that this really is a case of the emperor’s new clothes – digital cameras have now reached a point when they are over powered and over bearing.  We really should step back and ask is it worth all this money we throw at cameras and equipment?  I suspect the answer is, apart from some very specialist user, is no.

I have written before asking why should anyone want a camera that produces images of 50 mega pixel with an unimaginable bit depth?   I cannot understand what they will get out of this other than the cache of using expensive equipment.  There images won’t be any better in any real sense – the content will be the same and no post production process can deal with the colour detail that such cameras produce – anyone who has used a CMYK printing process will know that this really does limit the gamut of what colours can be reproduced.  Even the highest level ink jets can just about reproduce the gamut from sRGB, don’t even try RGB as you will very quickly find yourself outside of the gamut and your gamut warning goes all strange on you.

This is rambling on and I think I should stop.  However, I really we should try and concentrate on the ideas and not the technology.   It is after all photography not pixel counting & bit depth that we are trying to practice.   I suppose this is a very round about way of saying I am using my iPhone almost exclusively to make my photographs at the moment.  I am also aware that in a month or so I may well change my mind totally and be back joining the bean counters and wondering how I can justify spend all this money on the next great think.   Oh what a wonderful thing it is to be a human.  We can contradict ourselves almost in the same breath and see nothing wrong with that.  I believe it is called the human condition.

One final thing.  The photograph is of my latest attempt at painting.  The original is poor but the camera makes it better.  Who said the camera never lies?
 

Simon Marchini LRPS

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Busy few days.

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Well I have had a busy few days.  The weekend was the newly formed East Midland Contemporary group meeting – where I was appointed the author of our new blog –

This is taking a while to set up and perfect but really interesting work – brings back fond??? memories of my project management days.

On top of this I gave a talk to the Sheepy Magna/Parva history group – about the historical research project I am working on.

On top of all this I am continuing my artistic development work as well as trying to fit in some iPhoneography.

I’m really not use to this level of activity.  Well that is not true – it is not too long ago when I would have considered that this was the norm for a morning’s work – let alone a week.  This, however, had a very bad effect on my health so I don’t want to repeat that again!
 

Simon Marchini LRPS

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Incredible skills – but why?

What an incredible technician Jamie Boots is. He produces photo realistic drawings of animals from photographs. There, for me, is the problem – why? Why not just use the photo? What extra does a drawing bring? This is not to down play Boot’s brilliance but rather question what is the point. This being said he appears to be vey popular so what do I know?

Photo

I’m on line at:

www.flickr.com/photos/guthlac
http://simonmarchini.blogspot.com
www.simonmarchini.co.uk

I hope you enjoy

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Mixing with santa’s little Hellers

Well I’m at the art material fare at the NEC today. It is one of the most bizarre shows I have ever been to as it is squeezed in-between the hobby show and Christmas craft show. I never knew there were so many suppliers of glitter and coloured card. I think I going to enjoy this!

Photo

I’m on line at:

www.flickr.com/photos/guthlac
http://simonmarchini.blogspot.com
www.simonmarchini.co.uk

I hope you enjoy

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Manchester Art Gallery

What to say about the Manchester Art Gallery?   Well it is Manchester and yes it is an art gallery.   All very obvious I know but they need to be said.  Now for the art, well the restaurant is very good – especially if you have eat gluten free food – the walnut brownie, I am told, is to die for.  The other food is not bad either.

But wait what about the art?  What was the art like?  Any good?   Good now there is something that you could spend an eternity debating , good in what sense?  Good better than bad is that what you mean and so on.  This, of course, is total drivel and my ham fisted way of coming round to the fact that I didn’t think much to the paintings on display.  Don’t get me wrong there were one or two wonderful pieces but overall it was a disappointment.

The gallery is dominated by Victorian art, and especially the Pre-Raphaelites.  To me they are are hugely ambitious works of unbelievable skill and technique but at the final analysis leave me feeling rather sick.   There are some of the greatest Pre-Raphaelites on display but I sat and looked at them and felt I need to clean my teeth afterwards.   Perhaps it was the drive for absolute details that makes me stand back in horror.  However, I suspect it is just me as most other people around me thought the work fascinating.  Or at least that was what I think they were think but it might just have been that they were suffering from a diabetic coma from all the sugar on display.  God that is bitch and I need a real good slap.  There that is better.

The one painting that really struck home was The Glass Blower.   This is a painting created in the second world war and transforms the worker into some ballet dancer.  I could wax on about this painting for ages but I won’t.  I loved it and I think that is all to be said.

One final thing.   I have been enjoying the channel 4  series about British art.   Much of episode 3 called Flesh was shot at Manchester.  To pr??cis the programme, the Victorian’s liked to see plenty of bare flesh, as opposed to their prudish reputation.    There is a wonderful painting in the gallery by William Etty called The Sirens and Ulysses.  It is a wonderful piece of art which, to be quite honest, is just an excuse to show nude women and men.  Of course this is art so nothing as smutty as titillation should be taken from the painting.  I really don’t think so. 

A worthwhile day out was had by all.
 

Simon Marchini LRPS

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