Half way through the class

So where do I go from here?

I’m on line at:

http://www.simonmarchini.co.uk

I hope you enjoy

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Messing around with Oswin Oswold

there are worse ways to spend half an hour of your life than messing with Oswin Oswold, the new Dr Who assistant. Will actually it won’t be the character from the Christmas special but similar or not or….whatever. Anyway an interesting exercise – not sure I’ve quite got the likeness yet…but give it time.

Simon Marchini

http://www.simonmarchini.co.uk

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Oh the joys of spring

Waking home from having a very agreeable afternoon chat over coffee with an old friend and author Phil Simpkin (http://1455bookcompany.blogspot.co.uk/) it started to snow…oh the joys of England in the spring!

BTW when is the email client on the iPad going to be cope with inserting hyperlinks into text? Perhaps it can do it already but I have yet to find out how. Another great product from Apple!

Simon Marchini

www.simonmarchini.co.uk

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Coffee with author Phil Simpkin

Having a wonderful coffee with the author Phil Simpkin. His new book will be out after the 21st March.

I’m on line at:

http://www.flickr.com/photos/guthlac
http://simonmarchini.posterous.com

http://www.simonmarchini.co.uk

I hope you enjoy

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Family Guy – road to multiverse

This is a page from a sketch book when I was watching Family Guy.

Simon Marchini
Web: http://WWW.simonmarchini.co.uk

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Jan van Eyck

Well I’ve taken this as far as I can. There are structural problems that would require a complete re-paint, which I’m not willing to do as this was supposed to be a Brushes painting rather than an exact copy. If I wanted to make an exact copy then I would work on this on my computer rather than the iPad.

Given all these caveats I’m still really pleased with this. It doesn’t have the keen attention to detail of van Eyck but it still has the feel of an old master – perhaps van Eyck painted by Rembrandt, which is hugely presumptive on my part but what the heck.

Simon Marchini

http://www.simonmarchini.co.uk

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Pushing the boundaries

Just how far can I take a copy of a masterpiece using brushes on the iPad? There are so many boundaries to push at here – how do you make a likeness using very simple tools provided in Brushes? Equally are the limitations of these tools more a reflection of my own limitations as an artist? What about the limitations of eyesight?

The image I’m trying to copy is a small post card but in this case that is not such an issue because the actual painting is not that much bigger. So many boundaries to try and cross but perhaps the biggest question or boundary is the simple one why? Why do I want to push the boundaries so much?

Well as I write this it is past midnight and I don’t know I have any answers other than to say it is a fascinating puzzle to try and undo and I have no idea where it will end up.

Simon Marchini

http://www.simonmarchini.co.uk

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The art of visiting an exhibition

Yesterday I spent the day in London visiting the Royal Academy and the National Gallery. It was a cold day but fun nonetheless, however this is not the point of this post. Over the past three years I have visited many, and I mean many, exhibitions and galleries all over the country and so am now well able to pass on these words of wisdom to anyone wishing to visit an exhibition or gallery but not really sure how to do it.

For me there is only one lesson – don’t rush and try and pack in too much. Of course if you are time limited then this can seem to be frivolous …’ I’ve only got one day so I must pack in as much as I can…’ For me this is an understandable attitude but a big mistake. Part of the deep joy of visiting art galleries and exhibitions is the ability to ruminate on what you have seen. Now if you try and pack too much in then everything starts to become a blur and much of the joy is lost.

To this end the cafe or restaurant is as much a part of the visit as the actual art. Having a cup of tea/coffee etc and contemplating what you have seen is vital. As you memory fades, for some of us much quicker than others, then you start to forget but sitting down and discussing things helps to cement the memories. In fact the reflect element of this cannot be overstated and if this all sound so very bourgeois it is not. You really need the time to reflect otherwise the whole thing becomes a jumble. This is all the more true at galleries like the National which has masterpieces on every wall.

Well that is my view and I’m sure it is not the way a lot of people visit galleries and exhibitions but this works for me.

Simon Marchini

http://www.simonmarchini.co.uk

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After Manet

I’m off out tomorrow to see the Manet exhibition at the Royal Academy. In an effort to get into the mood I have made this quick painting on brushes in the style of Manet and is based on the front cover of RA magazine. The actual painting is called Berthe Morisot with a Bouquet of Violets.

Lets hope the exhibition is as good as suggested.

Simon Marchini

http://www.simonmarchini.co.uk

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EMails will always get you in the end

EMail has been around for a while now and you would have thought by now that people should have realise that you only put into an email what you would be happy to be seen on the front page of a newspaper. Yet time and again it would seem that people think that emails are in any way confidential…they are not.

Of course it is not just emails that can get people in hot water.

‘…. Obama as Joffery..the spoiled boy king who’s out of his league! With any luck he’ll end up about a foot shorter!…’

Sports Illustrated Feature

This was a comment on Facebook and I suspect the comment was left when no real thought as to what it says. Perhaps I’m misreading this but is the person who left this wishing for the execution by decapitation of the President of the United Sates? I’m sure that should some gentleman or lady from the FBI were to pay this man a visit then I’m sure he would be profoundly shocked. And of course if the FBI have any problems finding him he has left wonderful amount of information on Facebook to help in his apprehension.

From ill conceived comments like this, to the Libor scandal to Vicky Price its the emails wot helped to convict them. In Watergate the journalists were told to follow the money. Now it would seem to be Read the Emails. Goodness only knows what Richard M. Nixon would have put in his emails if it had been around at the time.

Simon Marchini
Web: http://WWW.simonmarchini.co.uk

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