Another example of the work I was able to produce from my workshop on Saturday. Having had a couple of days to reflect on the day it just seems better and better.
Sent from my iPad
Another example of the work I was able to produce from my workshop on Saturday. Having had a couple of days to reflect on the day it just seems better and better.
Sent from my iPad
Well I just don’t know what the fuss was all about. If you are to believe the tec blogs you can’t get an iPad for love nor money. Well it took me 10 minutes this morning to buy one. It will be interesting over the next few weeks to compare iPad v1 with v2
Sent from my iPadWell I’m truly knackered. Five and half hours of none stop drawing has taken it’s toll. I have spent the morning and part of the afternoon at a Portrait & Drawing workshop at the the Richard Attenborough centre. It was a really encouraging day which culminated in this pastel drawing. As usual the photograph is different to the real thing but it still reflects what I produced. today. I’ll go to bed tonight a very tired but happy chappy
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I’m taking my time over this one – slowly building up the layers of shade and detail and trying to resolve the many issues involved. It’s a good start and thankfully it has moved away from looking like Einstein in the nude. Perhaps it has a touch of Rodin? Maybe but I don’t think any of Rodin’s masterpieces had pieced nipples!
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so that is how they built it?
As the one or two followers may be aware over the past few weeks I have been using Nicole Kidman’s image as an academic exercise to try and explore portrait further. On the whole it has been a bit of a failure apart from the fact I have learnt a great deal so may be it hasn’t after all (I. Managed to contradict myself in the same sentence – something of a record even for me!)
Anyway, Ms Kidman. I thought I would give it one final go and use a version of the camera obscurer technique probably used by artist such as Vermeer. Only I don’t have such a machine or couldn’t be arsed to build one. So what I ended up doing was drawing over the photograph to leave an impression on the page below which worked really well. However, once I started to work on the drawing I found the whole exercise pointless – almost like painting by numbers. In the end I gave up trying to make a realistic copy and just let go with the oils pastels. I think the result is very interesting. But it did start me asking why I want to draw? Now this is a very interesting question for me. I can make very professional?? Photographs so making interesting image isn’t the reason why I do it. I guess, in part, it is the challenge but this doesn’t really answer the question. In the end I really do believe it is something deeper than this – I just need to do it. The genie is out of the bottle and I can’t help myself indeed it has become such an obsession that I’m loosing interest in photography. I have no idea whether this will last but at the moment the idea of making a photograph is becoming more and more boring. Strange how life works out.Sent from my iPad
I knew that there were suggestions that Holbein had used some form of optical assistant for his drawings & paintings but I wasn’t aware that there was clear evidence. Yet, whilst watching the latest (?) episode of Civilisation a close up was shown of a drawing Holbein made of Thomas Moore. Here you can clearly see a series of dots that form the outline of the features of Moore. Holbein appears to have used these as a guide to help him make a likeness of Moore. This was followed by a series of other drawings which showed the same thing. Undoubtedly nothing new to the world but new to me.
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Well I finished the first attempt. Not too bad but there are a number if things I need to sort out – the mouth for example. More sketches and hopefully b the end of the well something interesting.
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