So the sun is shining – now all we need is a warm wind…still we seem to be moving slowly into spring.
Simon Marchini
http://www.simonmarchini.co.uk
So the sun is shining – now all we need is a warm wind…still we seem to be moving slowly into spring.
Simon Marchini
http://www.simonmarchini.co.uk
Since Dr Who came back pover the weekend this painting has been getting a lot more hits. Interestingly quite a few are coming from Google with the search “…Clara Oswin Oswold Nude…”
Life is not that surprising.
The Cover Of Today’s New York Times Represents Another Disaster For Traditional Photographers
http://www.businessinsider.com/photographers-using-instagram-2013-3
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Sent from Zite, available for free in the App Store.
Simon Marchini
www.simonmarchini.co.uk
Well it is coming to a head – should I ditch my final ‘normal’ camera and completely commit to the iPhone as my only camera? Over the past 12 months or so I have been moving in this direction – piece by piece I’ve sold off my other camera gear and replacing it with a Sony NEX5. This in itself was a bit of a sea change but nonetheless I still had a ‘normal’ camera. However, since taking this step I find I’m using the Sony less and less. So much so that for every 20 or so images I make my iPhone I make one with the Sony. Actually those numbers might be slightly adrift but not by much.
A case in point was this morning. I went a walk around the local botanic gardens with both cameras. I think I captured one, maybe two images with the Sony yet I captured over 10 with the iPhone. The Sony is awkward to carry around whilst the iPhone is always there. The Sony is a far more capable camera but the iPhone seems more in tune with the way I lead my life, and more importantly, the way I want to make photographs.
What to do? I’m not entirely sure. Clearly the Sony is not the way forward but I could consider the Canon G15 as a replacement. I have had two earlier versions of the G series and they are probably my favourite cameras. Simple to use and easy to stuff in your pocket. However, where the iPhone is a very limited camera the G series aren’t. But the iPhone has access to some truly astonishing photo apps which the G series doesn’t – having to be worked on post camera.
I really need to think about these issues and come up with an answer.

Simon Marchini
http://www.simonmarchini.co.uk
This year we’ve had a double bonus Easter Sunday and moving to British summer time (BST). On top of all this we have a spring tide today which brings us back to the influence of the moon on our lives. The date of Easter is irrevocably linked to the moon, although the exact calculation of the date of Easter is really quite complicated and has been the basis much debate in the christian world – the Synod of Whitby being perhaps the most famous. Of course we should also remember that the Easter festival is also linked to the Jewish festival of the Passover. Now I don’t know enough about this to say whether the holy days are still connected. But if they are then the moon is again intimately involved in our religious practices.
Of course the moon is not the only extraterrestrial clock. We also recently went through the spring equinox which is governed by our orbit around the sun. Indeed the conflict between the lunar and solar clocks means that we have to add a second here and there to our measurement of time to try and keep the two in sync. So perhaps on Easter day it is worth remembering that time is not set by ourselves but by forces much larger and complex than most of us can really comprehend. If the universe didn’t exist would time? Perhaps we don’t have all the answers after all.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
Well I think I have almost finished the painting…almost
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
So I’ve just finished watching the first two episodes of Revolution on Sky last night and have had time to think about the programme and what is the most irritating about it. The first thing to say is that we about half a season behind the US so you can read the spoilers about what is going to happen…which is something I always do so I know a bit more about the way the story is going to develop. However, for me, the story line is not really the big issue with this series. It is hardly new, in fact it has been worked to death in one form or another over the past few years. No the thing that really annoys me about this series is the production and costume design.
For those of you who are not aware of the premis of the programme it is 15 years in the future and, for reasons yet to be explained, electricity no longer works. Now lets forget about that plot point as it is central to the whole thing. But the result of this electrical black out none of the modern world, well at least what the producers think of as the modern world as I suspect much of the world would shrug their shoulders and carry on much the same, works. No iPads, air travel, cars, factories anything that needs electricity to work. So the world, or at least America, is forced back into a pre industrial world. So that is the set up. So what just how does production and costume design spoil this?
Let us take clothing. We are lead to believe that there has been no factory produced clothing in 15 years yet the casts seem to be able to get hold of clean, lets not talk about soap just yet, designer jeans that look brand new. One of the characters is in some form of labour camp yet she has a wonderfully tight fitting brand new singlet top that shows off her figure wonderfully.
Now, of course, we come to subject of personal hygiene and dentistry. It is 15 years since the last dentist was able to treat people’s teeth and yet the cast all have perfect teeth, including a young woman who was only a young girl at the start of the crises. Also it would appear that hair conditioner is also readily available as all the women have perfect hair conditioning as well as well cut. Oh and in the future we don’t sweat, well at least from our armpits even when we are working hard. Or if we do it doesn’t stain our cloths.
Then we come the production design which is just a little too clean. America doesn’t appear to have descended into the levels of a third world country but is just a bit rough around the edges. Yes there are no cars or machines but somehow this world doesn’t seem to be anything than just a bit rustic. Everything appears to be fully saturated with little sign of too much faded paint. It has a can do colour scheme which is applied liberally by the colourist. Now I am not sure why this is – perhaps it is because it is on mainstream TV in the US and they don’t want people to realise the quick decent back to the 18th century would effect the American way of life too much, apart that is that they no longer have access to firearms. To see what I mean you can compare the production design for such series as Walking Dead or films like Book of Eli with Revolution and then tell me which one is peppy.
So in short the plot has some interesting hooks but they really should try and make the production design a lot more run down and perhaps ensure that the characters do look like they have had to adapt rather than still try and keep them looking beautiful. Mila Kunis is no less beautiful in the Book of Eli even though she does look pretty rough.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
Watching the new TV series revolution and there are so many holes in the plot you can drive a coach and horses through them. In one level there is supposed to be no electric magnetic spectrum and yet we seem to have hair conditioner, clothes manufacture and dental care – to name but three holes. Perhaps this will all get explained as things go on. Perhaps.
Simon Marchini
http://www.simonmarchini.co.uk
I’m starting a new painting – based on a face I saw on TV this afternoon. The woman had wonderfully flowing blonde hair and rosy complexion which immediately made me think of Rubens. Why the Gregorian chant – well I just fancied using this as the background music whilst painting, Not quite Bourque but certainly religious enough on this Holy Day.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
Well it didn’t last that long but I am back to portraiture. This is a first stab at Sophia Loren and I suspect I’ll be working on this image for a while until I’m absolutely happy (then I guess I’ll never be finished then). As with all of these things I find I learn so much from the mistakes I have made that the next attempt should be so much better…whatever ‘better’ might mean.
Simon Marchini
http://www.simonmarchini.co.uk