Project LV One – Day 54 – 30 years later

20140616-IMG_2138 - Protest Notice - Bagworth 20140616-IMG_2155 - Bagworth Incline - Bagworth 20140616-IMG_2186 - Abandoned Railway Line - Bagworth

A short while ago I mentioned I was thinking about a new project to do with the 1984 Miners strike – 30 Years Later.  Today I’ve started to take the very first tentative steps along the path of making images for this project by visiting Bagworth – these are the first three images.

I thought the wind turbine protest was perhaps the most ironic as it was posted opposite the old pit yard at Bagworth – which is now a residential estate.  30 years ago the mine was dedicated to feeding the huge power stations along the Trent Valley with coal.  As a result untold amounts of CO2 was passed into the atmosphere – now the villagers are protesting about a technology that will try in some small way to repair the damage done by all that coal.   I thought there was a certain amount of symmetry encapsulated in this one notice.

The other two images record the passing of the railway, a constant companion of the mining industry from the 19th century onwards.   The difference here is that both lines are some of the earliest steam locomotive lines in the world as they are part of the Swannington to Leicester railway line which opened in the early 1830’s with the aim of bring coal from Bagworth and other west Leicestershire coal mines to Leicester.  They both went out of action a long time ago – replaced by more efficient ways to transport the coal and are now havens for wildlife.

 

Nature will Find a Way

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Project LV One – Day 53 – Getting a bit harder

Face of Tele 02

I’ve been busy doing other things over the past few days and I’ve found it difficult to create something for this project.  Still I knew these days would come so just got to continue the process and produce something.

 

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Project LV One – Day 52 – Face off the tele

Face of Tele

Just felt like a bit of a sketch…

Don’t worry ’bout a thing

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Project LV One – Day 51 – I love to make faces

Miranda Sawyer

I had a strange juxta position yesterday of what art I love to make.   In the evening a young friend of mine asked me about a portrait she was making – I immediately started to explain the faults I saw from a propositional prospective – especially the over large eyes.  Most of the points were accepted but she was quite insistent about keeping the eyes the size they were.  Each to there own but it did make me realise that the one things I love to capture in my drawing and painting is the human face.

Earlier that day I had the same realisation when I attended my life drawing class.  For me life drawing classes are an ordeal that I must go through.  This, of course, is obsurd as I don’t have to attend any of these classes at all  but of late I have taken to doing my own thing.  This is no criticism of the tutor but rather a realisation that I work at a particular pace and that I can only achieve so much in the allotted time.  What this means is that whilst all my other attendees are creating paintings of the full figure I just concentrate on making a portrait.  Since I have taken this step I suddenly feel a lot more fulfilled by the whole process.

Other things point in this direction.  I cannot make landscape drawings or paintings and the reason for this is because I make landscape photographs.  This is not as trite as it sounds because when I make a landscape photograph I use the very same skills I use to make digital paintings.  So are my photographs paintings?  This is a pointless debate as I no longer see any distinction between the two.   On my LinkedIn page, I have no idea what LinkedIn is for but I have a presence there, people who know me have given me endorsements for Portraiture.

So I guess it is true – I love to make faces and the more I see faces the more I look and understand the infinate information they give out – which I guess is one of the defining features of being human.

 

 

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Project LV One – Day 50 – When projects collide

Deep Time

Whilst I was away last week I was able to capture some images that I can use for one of my other long term projects – Deep Time.   Some of you may recall that I have a great deal of confusion about this project and these images have only added another level of confusion – just when is the best time lighting conditions to capture images for this project?

So far the images have been captured on a variety of lighting conditions and this has lead to a differing in the look and feel of the images.  I’m not at all sure whether this adds to the images or distracts but I guess at this time it doesn’t really matter.

For the information of anyone out there who might care – the top two rocks date to the Carboniferous period and the bottom two to the Devonian.  So the rocks above are around 150 million years younger – not bad considering they are only about 30 miles apart – as the crow flies.  It really is no wonder that Britain is the home of Geology.

 

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Project LV One – Day 49 – England’s Disney World

20140611-Photo 11-06-2014 11 00 58 - Waddesden Manor 20140611-Photo 11-06-2014 11 31 41 - Waddesden Manor 20140611-Photo 11-06-2014 11 33 20 (1) - Waddesden Manor

Waddesden Manor is without doubt the strangest place I have visited in a very long time.  It is an example, if you ever needed one, that when you have an awful lot of money then you can just about do anything you want.  In the late 19th century Baron Ferdinand de Rothschild decided that he would like to build a French Chateau in England for a weekend get away.  So, according to one of the information panels, he and 100 other workers created this place on top of a hill in Buckinghamshire.  Actually it took around 10 years to complete and I’m sure that the Baron worked really hard to create this master piece of money no object.

Just as in Walt Disney World in Florida you have to park a mile or so away from the house and are then bused up the hill to north lawn.  However, it was a lovely day so we decided to walk through the manicured park land and climb up the hill.   Whilst leaving you out of breath at times the walk is worth it because the rolling Buckinghamshire countryside slowly opens up as you climb.  You also have the bonus of seeing the wonderful wildlife – much better than sitting in a bus.

The place itself is unlike any National Trust property you will ever come across because, whilst belonging to the trust, it has a significant trust fund all of its own to maintain the place – it shows.  However, the catering is not unto the National Trust standards if you have any allergy  problems – which as far as I am concerned is a big black mark.  Perhaps in the main resturant it might have been different but I still think this is a very bad.

So go and enjoy Waddesden Manor – it really is like nothing else you will find in England.

 

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Project LV One – the first volume has been published

Project LV One - Title Vol 1-01
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Project LV One – Day 48 – So this is why I subscribe to Creative Cloud…

Laugharne Castle

I know, I know it is a bit of a fatuous comparision but a valid one – the same person, i.e. me, worked on the image using an iPhone 5s and then worked on the same image using Adobe Lightroom and Photoshop.  I’ll let you decide which is the better image but for the record I think the Adobe Creative Cloud (CC) version wins hands down.

Of course the iPhone image was made on the move whereas the CC was created in my digital studio and took around about half an hour to create but the one thing is clear.  If you get the right conditions the Pano function of the iPhone does create a wonderful starting point from which to make an impressive image.

 

 

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Project LV One – Day 47 – Disney Doodle

Pluto

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Project LV One – Day 46 – What kind of artist am I?

Mickey Mouse Doodle

This is a thought that has been rumbling around in the back of my head for sometime and I might have set forth some thoughts on this in the past.  The reason why this has come to the fore again just now is because I went to the end of year show at the Loughborough School of the Arts.  As I walked around it became apparent to me that whatever they were producing, and I am not judging on their individual merits, they certainly aren’t really producing the art that would want to or probably could have done.   I got the distinct impression that figurative art was not something that is encouraged at Loughborough.  Now I am well aware that may well not have been the case as it was not the choice of the artists there.  Nonetheless, it was clear that what I produce is not what the young artists of the day want to make.

I have realised for sometime that tend to doodle than make considered pieces.  This may be because I am coming to this whole area at a much later age and view art as something I enjoy making, no matter what the standard might be, and that is it.   I have no ambition to exhibit my work beyond what I might show on this blog and certainly don’t want to make any money out of it.  This is where this doodle I made this afternoon comes in.  I really enjoyed making this and this is as far as I want to take it, I’m aware that should I want to take it any further I might have copyright problem, but I am happy with it.  Perhaps one day I might want to go further but I doubt it.  In truth I enjoy what I do and I have the good fortune not to need to take these things any further.  I was told a story recently of a man who thought he might make a name for himself as an artist only to find that he just hadn’t got what it takes, for whatever reason – and that is a whole other discussion, and got very disillusioned about this.  I find that very sad.  I make my art for me and as long as I’m happy with what I make I don’t have to please any one else.

 

 

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