Wooo they shot me

memento mori Red Haired Woman with white skin

Neither of these images were meant to turn out the way they did – the first has the feel of a memento mori which was the further from the intention when I started.  I say intention of course when the only discernible intention I ever have is to make the image, nothing more.

The second image also just seemed to get a life of its own as I worked on it although both taken together they do represent something – that no matter how vibrant and alive we might be during our life we are all heading in the same direction.

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In Praise of Sketching

Nude Sitting NUde Watercolour Sketch - Bath

Over the weekend there was a whole lot of hot air and guff raised about the ban on sketching in a recent V&A exhibition.  Now there are arguments on both sides but the truth is that one of the reasons why we, the public, fund institutions such as the V&A is so that we can examine great works of art and design to get inspiration and to learn.  There is no better way of doing this than sitting or standing in front of an object and trying to make a drawing or sketch of it.  If, like me, you usually end up feeling just a little inadequate at the result of the time you spent well then this can be a positive as it will spur you on to work and understand just how these things are done.

However, as an inveterate sketcher let me break a little secret to the world of huff and puff – there are very few of us left.  I was in a university art gallery not too long ago when I was congratulated by the staff there for sketching – it seems I am a dying breed.  If that is true it is a real shame but you do have to wonder just what are all those art students out there doing?   Is their technique and understanding so great that they don’t need to spend time looking and absorbing and copying?  Or is it that now it is thought that Google or Pinterest is a suitable substitute for encountering the real thing?   I was once asked by a young friend why I need to go to galleries and my answer is that you don’t know a painting until you’ve smelt the canvas.  A bit overboard?  Perhaps but it does make the point you don’t know something until you have encountered it in the real world.

So the V&A ban doesn’t really add up as it smells much more of making sure they can get punters through the door than allowing people time to study the work but let us not kid ourselves – very few people nowadays spend time sketching or drawing in art galleries anymore or is it that there never was that many people in the first place?  I don’t have an answer to that as I’ve not been at this art thingy long enough.  I do hope I am wrong.

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Bagging The Duchess

20121118-DSC02033 - Greenwich and Canary Wharf The Crescent - Bath Chatsworth House 002 Holburne MuseumKedleston HallNo this isn’t some form of sexual encounter or drugs slang…instead it is much more mundane – visiting locations where the 2008 film The Duchess was filmed.  For those of you who might have missed this rather enjoyable film it is the story of wife of the fifth Duke of Devonshire, a sort of proto Princess Diana, who was played by Keira Knightly.  It marked a turning point in Ms Knightly’s film career  as before then most of her film performances had been average at best.  Even in Ms Knightley’s  fore runner to The Duchess, Pride and Prejudice,  she was acted off the screen by many of the supporting actors.  However, in my opinion the starring role went to Donald Sutherland’s dentures who stole every scene they were in.  This is totally unfair and just a little bitchy so I’m sorry for the remark but watch the film and you’ll see what I mean.

Any back to Bagging The Duchess.  Over the weekend I’ve been in Bath, a Georgian film set in waiting, and looking the through the images it stuck me just how many of the location for the Duchess I had visited.  So I have trawled through the archive and here are a few of the locations.  For your information they are:

  • The Royal Navel Hospital, Greenwich
  • Chatsworth House
  • Kedleston Hall
  • The Royal Crescent, Bath
  • Holburne Museum, Bath.

I also made a painting of Ms Knightly, who for some reason I find very difficult to get a reasonable likeness – funny that.

The Duchess

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Something’s got a hold of me

Part of the Crescent - Bath SS Great Britain The Circus - Bath The Crescent - Bath

Spent a couple of days in the west country which, as you can see, turned me all touristy.

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The first to last

Noir Nude learning against wall

I know this is an almost pointless thing to do but I’m going to do it anyway these two images represent the bookends to one months output using the Apple Pencil and Procreate.  This is grossly distorted on one level as the image below was just a quick dip of my toe in the water of what might be possible but nonetheless it does represent a sort of seed change for me.  Up until now I have tried valiantly, and usually without too much success to develop my painting skills in the real world whilst all the time knowing that my best environment is the digital.   Well I think I have now accepted things as they stand and from now on the Apple Pencil and Procreate will form the bedrock of my artistic endeavours.

This doesn’t mean that I won’t produce art in the real world, far from it, it just means that I am most at home in the digital, especially when trying to produce more completicated, by my standards, pieces of work.

The First

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Back to the future

Monotone Nude

I guess we all must reach that point sometime in our lives.  The point when just because something is new doesn’t actually mean you are getting a better experience or in this case better software.  Over the past 12 months (or is that 2 years ?) I have been subscribing to the Adobe Software Cloud and for a start everything was just fine.  I down loaded my latest version of Photoshop and Lightroom and I was happy with life.  However as I started using each piece of software I noticed that nothing really had changed from the older versions, well at least in the part of the software that I use anyway.  Then the whole system stopped working and I was faced with the prospect of having to contact adobe or loose the use of the latest software.  Fortunately the contract was up for renewal and I took the decision to revert back to the older software and you know what I’m just as productive as before.  I had a similar experience not too long ago when I started using a copy of MS Access which is almost 20 years old and it still did everything I wanted of it.

For sometime now software manufacturers have been struggling to come up with new reasons for you to update to their latest versions.  We really don’t need this extra widget or that wonderfully useless tool.   Apps have shown the way whereby you cut back to the bone and then you buy just the bits you want but even here they suffer from bloatware – especially if the first version was so successful.

So the moral of this story, if there is one, is that just because something is new doesn’t make it better and we have reached the point in software and hardware whereby what we already have is fine and unless things go bang it will be a very longtime before we need to replace either.  Apple are starting to find this out only too quickly as the iPhone reaches cash cow status having left the star far far behind.  (Sorry about the management jargon…old habits!)

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We can do the tango just for you…

Ken 01j Red Lips Scandi Noir - white hair

Many years ago I was taught about amplification circles which, and I guess this should come as no surprise means something completely different today than when I was taught about them – well at least according to Google.   Back in the distant past this referred to feedback loops in public opinion that caused a small problem to ballon into something much much bigger.  These things happen all the times and with the ‘turn it up to 11’ effect of social media it is just getting worse:  News blogs screaming out for you to view their latest scandal or celebrity cellulite;  Twitter is even worse as this requires no thought at all to retweet some nonsense or another.  I was listening to a Podcast the other day from the Guardian newspaper on how they thought the Panama papers was going to be all about Putin and instead it turned into Cameron and I just got the hint that they were disappointed but this was a good example of how we can all get sept along in the moral outrage without caring too hoots about the facts.  Why let the facts get in the way of a good outrage as some might have said.

So what has this got to do with anything?  Positive feedback is always a good way to motivate you to do things even more challenging just to see how far you can take things.  This is what is happening at the moment with my Apple Pencil.  The more I use it the more I get out of it and so the more I press on.  It is all rather exciting but there is a side of me, one which perhaps is a little too dominant that warns that this will all end in tears.  Perhaps it will but at the moment I am enjoying the ride.

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The sky is dark, the winter cold

Scandi Noir with Red Scandi Noir

There is a certain thrill we all get when something works out better than you had hoped….so it is with these drawings.  They are based on paintings by Anders Zorn, a Swedish painter who can be best described as John Singer Sergeant of the north.  Whilst working on both drawings I suddenly got an urge to over do the noir which seems to have been a good idea…Scandi Noir indeed.

Oh the Thrill of it all

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Then and Now

Amy

amy 04 0001

amy 04 0001

 

Interesting to compare and contrast – three years difference and two totally different approaches.

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It is now or never don’t hessitate

30 minutes Amy Nat

Decisions decisions….plans within plans within plans…I’ve almost concluded the way forward.

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