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Manchester Art Gallery
What to say about the Manchester Art Gallery? Well it is Manchester and yes it is an art gallery. All very obvious I know but they need to be said. Now for the art, well the restaurant is very good – especially if you have eat gluten free food – the walnut brownie, I am told, is to die for. The other food is not bad either.
But wait what about the art? What was the art like? Any good? Good now there is something that you could spend an eternity debating , good in what sense? Good better than bad is that what you mean and so on. This, of course, is total drivel and my ham fisted way of coming round to the fact that I didn’t think much to the paintings on display. Don’t get me wrong there were one or two wonderful pieces but overall it was a disappointment.
The gallery is dominated by Victorian art, and especially the Pre-Raphaelites. To me they are are hugely ambitious works of unbelievable skill and technique but at the final analysis leave me feeling rather sick. There are some of the greatest Pre-Raphaelites on display but I sat and looked at them and felt I need to clean my teeth afterwards. Perhaps it was the drive for absolute details that makes me stand back in horror. However, I suspect it is just me as most other people around me thought the work fascinating. Or at least that was what I think they were think but it might just have been that they were suffering from a diabetic coma from all the sugar on display. God that is bitch and I need a real good slap. There that is better.
The one painting that really struck home was The Glass Blower. This is a painting created in the second world war and transforms the worker into some ballet dancer. I could wax on about this painting for ages but I won’t. I loved it and I think that is all to be said.
One final thing. I have been enjoying the channel 4 series about British art. Much of episode 3 called Flesh was shot at Manchester. To pr??cis the programme, the Victorian’s liked to see plenty of bare flesh, as opposed to their prudish reputation. There is a wonderful painting in the gallery by William Etty called The Sirens and Ulysses. It is a wonderful piece of art which, to be quite honest, is just an excuse to show nude women and men. Of course this is art so nothing as smutty as titillation should be taken from the painting. I really don’t think so.
A worthwhile day out was had by all.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
Measuring Progress
So how do you measure progress with art? This is a question that Ph.D. theses can be written, in fact I can imagine some prospective don beavering away into the small hours high in a dreaming spire some where doing just this. This digression doesn’t help but it amused me. Anyway back to the question. I suppose the first thing to say is progress assumes that the previous work was worse than the later or vice versa. In short some measurable, quantifiable change. But is this enough?
Well for me at the moment it is. I suppose I started this whole ‘art’ project with one goal in mind – to improve my drawing skills to such an extent that I can produce a reasonable likeness. I have no illusions about becoming a professional artist but rather some potterer happy to make pictures that please me. I have no great message for the world, no deep down feelings I want to express through my art. I just what to be able to draw to a standard I won’t feel embarrassed about. Against this limited objective I am clearly measuring progress showing progress – I think.
The three drawings demonstrate this. The first is a digital painting I created using Photoshop. It was created in August and is rather lifeless. The last two were produced over this weekend and to my eye are starting to develop a style and character that gives me pleasure. I feel I am making progress and this is what is driving me forward.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
Oh hum – so much for making a realistic likeness
I wont go into all the boring details as to why this drawing is not a likeness. However, I really like this, as much as I do any drawing the day of production. I gave up half way through the process trying to make it a likeness and decided to concentrate on developing my Chiaroscuro skills. This is what I really love about drawing – making it stand out from the page. Now this is just an illusion but, for me, it is a really important skill.
This whole episode has made me ask what is important in any picture, drawn, painted or photographed? I haven’t come to any firm conclusions, firm conclusions with an art object what a hoot! However, I have started to debate with myself and I think this is start as it should mean that I challenge my current views and hopefully expand my understanding. What more could you wish to get out of life?
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
Drawing is so frustrating
I feel like screaming – I really do. I am taking one step forward and the same back. I am now producing interesting drawings with only one problem – I have lost the ability to make them a good likeness. At the moment I hate this. I know how to overcome this, it is mechanical and I think it is cheating but I know I can do it. all I need to do is pop a grid over the picture I am trying to sketch and then it becomes painting by numbers and I just do not want to do this. The skills I want to master are those that allow me to produce a really interesting drawing whilst at the same time being a good likeness of the subject.
I know I will get there in the end it is just so frustrating at the moment. Of course this does open up the question of why? Why do I want to do this? Well last week the tutor at the drawing class I am taking asked what we want to get out of the class? It was a throw away question – he seems to do this a lot – but it did get me thinking about what I want to do. Well at the moment I just want to create a really interesting likeness of a person. I am not looking for more complicated communication of feelings or the like just make the likeness. The reason for this is that I see this as being the first step to becoming a good artist. You cannot really communicate unless you have a clear mastery of what you want to say. In art this can only be done when you have mastered your medium – otherwise the messages gets lost. This takes time. The fortunate thing is that I have the time to do this.
One final thing. I hate what I produce on the day that I produce it. However, when I go back in a couple of days or so then things are not so bad. I don’t know whether this is good or bad it just means my initial judgement should be ignored.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
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Bad foot and Cate Blanchett
Well as one door opens another closes. Over the past few weeks I have been slightly under the weather which has been diagnosed as ‘a virus’. This, I think, is Doctor speak for slightly worse than ‘a bug’ but will sort itself out over time – which it has. However, now my foot hurts. I had been looking forward to getting out more and walking, something that has been somewhat curtailed over the past few weeks. Well this is on hold as I have decided to rest my foot in the hope that this too will get better over time. Oh the joys of being over 50!
This does provide me with an opportunity to catch up with all those tasks I have put off over the last few weeks. They require a certain amount of concentration which I haven’t felt motivate to allocate to them. It also allows me improve my artistic, if that is what they are, skills. Enter Cate Blanchett.
Some time ago I bought a book of actor portraits taken back stage. This has been a constant source of inspiration and frustration but slowly I have started to master the portraits. I am now going to take this to the next level. The next level, in this case, is pastel. I have sketched out Cate’s portrait and now am going to take a huge leap of faith and try and use pastels. It would be easier to us charcoal as the original photograph is black and white but I feel there is something about the portrait that could be captured in pastel. I suspect this is all going to end in tears but this is the only way to progress. Anyway wish me luck this evening!
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
Elephant
I have started to move out of the pencil drawing to more expressive colour – in this case oil pastels and Promarker. These are bold first steps – whether they are in the right direction only time will tell.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
MA x
I had an enjoyable time yesterday meeting up with old colleagues from the MA course. I attended their end of course exhibition called MA X. It was fascinating to see the different approaches and photographs. I wish them all well with their future endeavours.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
Castles of Tomasatia
Oh how innocent I can be. Up until a few moments ago I had no idea that Tomasatia was some form of disease that effects women. I was going to write about a Ruritanian idol with abandoned and decaying castles dotted through out the hills and vales. I was then going admit that this was not where Tomasatia actually was but rather workman like South Derbyshire (pathetic, I know but it amused me). However, know I feel rather silly about this when compared to the problems some women have during pregnancy.
Anyway, the point of all this is that I starting a series of little sketches that have been inspired by historical research into the roads of west Leicestershire and south Derbyshire. All seems rather dull now.
Simon Marchini LRPS
Web: http://WWW.simonmarchini.co.uk
Twitter: http://twitter.com/@simonmarchini
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Another penicillin moment
Fleming was supposed to have discovered penicillin by accident and I discovered this by accident as well. This is the reverse of the Gaga experiment and I have to say it really is interesting. I have reworked it slightly using Photoshop on my iPad but apart from that it is as I captured it with my iPhone.
Sent from my iPad
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Trying out new ideas
I bought myself some pro marker pens yesterday just to see they are like to work with. It is far far too early to say, this is a combination of a lack of time and technique, but the early indications are that they do give a picture an interesting effect. By the way, or should that be BTW? This is yet another working of the Lady Gaga photo I was trying to reproduce the other week.
Sent from my iPad
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