Given Time – Release Candidate One
http://releasecandidateone.com/253:given_time
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Sent from Zite, available for free in the App Store.
Simon Marchini
www.simonmarchini.co.uk
Given Time – Release Candidate One
http://releasecandidateone.com/253:given_time
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Sent from Zite, available for free in the App Store.
Simon Marchini
www.simonmarchini.co.uk
You know one of those ideas, the sort that seemed such a great thing at the time, well here is one coming back to bite. A couple of months ago my good wife and I went to Compton Verny for the day of high culture. We had a great time and my wife, as is her want, picked up the seed cones from under some of the Giant Redwood trees in the grounds of the country house.
When we got back home it was soon discovered that there were actually seeds in the cones and some one came up with the idea of planting them out to see what happens. Well nature happened and so far we have three small seedlings popping their heads above the soil. Should these seedlings ever come to maturity then they will turn into the largest living things on the planet. However, if that were to happen then I and probably many of generations after me, will be long gone. It does feel a little like Jack and the beanstalk at the moment – to think that such huge trees can grow from such slender things – it just makes you want to go out and hug a tree.
So any one want a tree???
One of the problems when you are researching the landscape is that you can very easily follows paths that lead nowhere. Today was one of those days. I spent most of the day in the south Lincolnshire fens looking at saltways and all things salt. Threekingham is the key to my research in this area because when the fens were, well, fens this was the last piece village of any substance before descending into the fens when travelling to Boston. Today it is just another small village bypassed but then it was the gateway to hell. Over selling it a little I know but the fens must have seemed very unsafe even when using a well used roads and tracks.
Threekingham church is a really impressive building. Even more impressive is the spire which I thought was added much later than the medieval period but it seems I was wrong. Indeed the only other tall building you can see with the naked eye from the fens is the Boston Stump and it may be that this was deliberate – signs of safety whilst crossing the fens or this is just whimsy on my part? Probably.
After Threekingham and the old fair ground at Stowe I made my way home via Melton. On the way over I had noticed a distinctive hollow in a field and I thought I would examine this one the way home – it was a nice day so there was no rush I thought. Bad move. As I was driving home it rained and rained but this being summer the rain didn’t last for long. So by the time I got to the field the sun was out so what would be better than a walk across the fields. Nothing apart from the fact that one of the field was filled with half grown wheat which have wonderfully full leaves, capable of capturing an awful lot of water. Needless to say by the time I had crossed the field I was saturated. Still the feature really worth it, well at least if you are a landscape archaeologist which I sort of am, otherwise it was just a dip in a hill and nothing to write home about. The dip was caused by many thousands of people walking across the field for hundreds of years and is known as a hollow way.
Now there was only problem with this and all the time as a walked across the field it was lurking at the back of my mind. Great hollow way but is it in the right place for my purposes? As I was in the field I couldn’t say but I duly examined the feature and then made a hasty retreat as more rain was on the way – this time taking a slightly less damp way back – only slightly. I got back to the car, wiped myself down and drove home through the rain and hail, don’t you just love the english summer! Well I have now had a chance to sit down and look at the maps at home and my doubts were legitimate – the hollow way was in the wrong place or at least for my current understanding of the situation. More work required me thinks.
Oh one final thing. Using the iPhone to capture images for research is really great. All the images are geotagged as you go along and so you don’t have to work out where you were when you captured the image. Now other smartphones do this but I work with the iPhone so I can only talk about the iPhone.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
It has been one of those up and down days. The art class didn’t go too well – we all have those kind of days which left me feeling some what dejected. On the other hand the digital painting of Claire Underwood from House of Cards is coming on really well. This leads me back to a recurring theme – just how valid is the work I’m creating using the computer?
It is clear that many painters just don’t get it and dismiss it as ‘illustration’ as if this was a bad thing. They seem to have forgotten that many, if not all, of the great artists before the 20th century could be described as creating ‘illustrations’. I’m not claiming to have any vision or be the best at what I do it is just that I find great fulfilment in the work I’m doing.
It could also be described as ‘painting by numbers’ in that you work from a photograph and it is oh so easy match the RGB value for the pixels and before you know it you have made an exact copy of what you are using as your source material. Perhaps I might have been, to an extent, guilty of this at the start but I to believe that I have moved away from this so that the image is now all my creation, apart from the fact I’m painting a face and there is only so much you can do to this before you loose the likeness. I think what I do is valid and is an art form even if others don’t.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
This afternoon I went to see the new Michael Douglas/Matt Damon film – Behind the Candelabra and I am still disturbed by it some hours later. It wasn’t because it was a story about two men having an affair or the film was poorly produced or acted – far from it. I’m still really not sure but I think it was mainly due to the abusive relationship between Liberace and his one time lover Scott Thorson. If the film is to be believed, and it is based on Thorson’s book on his relationship so we always have to be careful, Liberace appeared to want to control everything about Thorson, even his physical appearance. The only light relief came from Dan Ackroyd’s wig and Rob Lowe’s outrageous face. Other than this it was really quite seedy and left me wanting to have a shower. This is a bit of a shame because the film is really well made apart from the bizarre makeup that Douglas wears when Liberace didn’t have his wig on – it made him look like something of the set of Star Trek circa 1966.
To try and get over this film I’ve started working of a new House of Cards set of paintings – this time it is the turn of Lady McBeth…lets see how they work out over the next few days.
Simon Marchini
Web: http://WWW.simonmarchini.co.uk
Spent an enjoyable couple of hours at a portrait class…

Simon Marchini
http://www.simonmarchini.co.uk
20 Awesome Artists to Follow on Twitter
http://psd.tutsplus.com/articles/features/20-awesome-artists-to-follow-on-twitter/
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Sent from Zite, available for free in the App Store.
Simon Marchini
www.simonmarchini.co.uk
Hilarious mockups of Apple’s new Mac Pro
http://asia.cnet.com/hilarious-mockups-of-apples-new-mac-pro-62221597.htm?Src=twt
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Sent from Zite, available for free in the App Store.
Simon Marchini
www.simonmarchini.co.uk
Simon Marchini
Web: http://WWW.simonmarchini.co.uk