“Cry ‘Havoc!’, and let slip the dogs of war”

Photo 31-03-2014 09 02 01

 

Start of the new week and so a new painting lesson – courtesy of myself and boy am I a hard task master!  Stage one is to het a reasonable outline upon which to paint.  This is no Holbein but it will do for my purposes – after all I’m not going to prick this out onto canvas but rather paint over so the outline will be part of the painting.

The hounds of “famine, sword and fire” are at my heels – for’ard

 

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Watching F1 practice

I must be getting really sad in my old age…just spent an hour or so watch FP1 & FP2. Time to get out and do a bit if shopping I think.

Simon Marchini
http://www.simonmarchini.co.uk

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Teaching myself to paint

Photo 27-03-2014 10 39 34

 

 

I know it is the wrong way to go about these things but I have decided to start afresh and teach myself how to paint and try and understand the process of applying paint to a surface.   This is the first stab at the process and already I have started to learn many things which I should have known all along – perhaps the most important one today is that each paint media has it’s own properties and consistencies and this effects how they are applied to a surface.  Time to think and cogitate about this and then build on the lessons.  It is the only way to learn don’t you know.

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Deeper and Deeper I go

Degas 01

 

So having spent a couple of hours in the studio messing around with ideas around Degas what have I learnt?   At the moment not a great deal however after a period of reflection things may well come into shape and new ideas might sprout out of the mouldering pile that is my brain.

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Thinking about Degas

I’m working on some ballerina thoughts today for a drawing/painting I want to make on Wednesday.

Simon Marchini
http://www.simonmarchini.co.uk

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You heard it here first.

What an outlandish claim and one that is undoubtedly wrong (you can see why I never made a life for myself in tabloid journalism). The source of all this grand chest thumbing is that the Western Isle, Shetland and Orkney want independence from mainland Scotland. This should come as no suprise.

Before I go on I need to feel in some historical background (I apologise to any Scots historian reading this as I might get a few things slightly wrong but the general thread will be correct – I hope). Scotland as a unified country didn’t really exist much before the later medieval period. Before then there were a series of different ‘states’ that controlled much of what is now Scotland. One of these states was Norway that controlled the Western Isle, Shetland and Orkney ever sense the viking expansion of the 9th century.

If you should ever visit this remote and wonderful place you are quickly struck by the fact that it has little or nothing in common with the Clyde/Forth central belt other than being ‘Scots’. This is not trying to down play the importance of being ‘Scots’ but rather to point out that Scotland isn’t a homogeneous whole but varies greatly across its large and mainly empty land. Whilst this is all very well and good but it wouldn’t matter that much in the Independence debate unless you realise that the Shetland Isles sit at the centre of much of the remaining oil and gas in the Scottish sector. So suddenly it does start to become very important as it would seem that the whole Scottish Independence debate seems to revolve around the income from this. (I have always thought that this is a pointless argument as surely a country should be independent despite any temporary windfall not because of it – you are a country and that is that – any financial advantage is just icing on the cake).

So what will the First Minister do? (Why is Scottish independence always framed like this?) My guess is that he will at first ignore it and then if forced to confront it will bluster and shout and if this fails claim that it is all ‘an old Etonian conspiracy by those nasty English Tories’ – perhaps this will part of the bluster and shout phase. But it is a genuine issue that needs to be addressed and one that Cornwall would readily identify with. How do you deal with ancient and nobble attachments to the land and what it represents in a much large state, be it Scotland or the United Kingdom of Great Britain and Northern Ireland? If Scotland does become independent they will have to deal with this themselves – which is what countries are about rather than money.

Again for the record I hope that Scotland doesn’t vote for independence but if they do then I wish them well. It will be a rocky road as Scotland and the Rest of UK come to terms with one another but we’ll get through it. However, I don’t think that Scotland will benefit as much as the SNP are claiming but they will be independent to make there own way in the world. That is unless Mr Putin doesn’t do something really stupid like trying to cause problems in the Baltic states and then god help us all.

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Sitting around in a gallery

One of the great pleasure about visiting a gallery is that one gets the chance just to sit back and make a drawing or sketch or two. Today I went to the Birmingham Museum and Art Gallery and was able to do just that – it was bliss. We got there just after it opened so the place wasn’t too busy and after having a good look at the Grayson Perry tapestries I found time to to capture a couple of sketches.

As for the Grayson Perry I feel he really is a marmite artist – some people find him an insufferable git but I find his work facinating. The six tapestries on display were created to accompany a Channel 4 documentary about him and were roughly based on Hogarth’s Rack’s Progress as well as other paintings. I found the works absorbing even though I had seen a couple of them at the RA Summer show last year.

The other exhibition was Photorealisim: 50 years of hyperrealistic painting. Now I’m not a great fan of Photorealisim as I feel they tend to be technique over artistic endeavour. I know this is bias view and there are many other aspects to consider but in the end of the day the objective of the painting would seem to me to create a copy of the photo you are working from.

So did the exhibition change my views? Well slightly but not to any great extent – I still have concerns. But the great thing about the exhibition is that it gives a really broad feel for the subject and so now I am far better able to articulate why I don’t like Photorealism – which I think is an endorsement of the show.

So all in all and good way to spend a few hours of my life and you don’t have the hassle of having to go all the way the London. There really is a lot to be said for the regional art galleries and their endeavours to put of interesting and rewarding exhibitions. Long may the world outside the M25 continue to thrive.

Simon Marchini
http://www.simonmarchini.co.uk

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Long distance run around

More experimentation this afternoon . The great thing about trying new things is suddenly new possibilities start to appear.

Simon Marchini
http://www.simonmarchini.co.uk

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Aegyptus

I cant stop myself this morning making sketches of Amenhotep III. Probably only one of them is approaching what I would consider a likeness but that doesn’t matter at the moment – this may well change but for now I’m just enjoying rifting on a theme.

Simon Marchini
http://www.simonmarchini.co.uk

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Preposterous Drawing

This really is preposterous in so many ways but I really like it…perhaps tomorrow when I look back on this I will wonder what the hell was I thinking. I hope not.

Simon Marchini
http://www.simonmarchini.co.uk

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