Tidying up after something is always a bit of a bind.
Every few months or so I get a major crises of confidence and end up reevaluating what I am doing – I am currently going through one of those periods. I believe I have come up with some answers to help me move on, in essence I am going to stop trying to be a jack of all trades and just concentrate a small number of things that I appear to have some real talent. lets see how far this gets me.
One thing that I have learnt on this artistic journey is many times you travel more in hope than expectation. Just recently it feels like the hope is evaporating – not sure what is happening.
As the second world war saying goes – keep calm and just bugger on or something like that.
Every now and then I feel it is good just to see what things were like in the past, as far as my creative eye was concerned. These are from 2008/2009 and have been remastered to my 2015 tastes.
One of the joys of sketching is that there really is no pressure to make things anything other than, well, a sketch. A bit of light relief.
At the outset I want to make one thing very very clear. I have no idea what happened to make the BBC senior management suspend Jeremy Clarkson. I have read endless speculation and seen too many people ready to jump to one conclusion or another. We have an online petition with a billion signatures want him to be reinstated whilst much of the Guardian readership wanting his head. (Both of these are overblown by several magnitudes but in this online instant world that does seem to be what happens) Some papers are using this as yet another attack on the BBC for, well I’m not really sure, but they don’t like the BBC so anything will do.
So what do I think? If he did assault another member of staff, no matter how senior, then he should be sacked it really is that simple. However, on a more personal level I think it wouldn’t be such a bad thing to kill off Top Gear anyway as the whole thing is now becoming very stale. Many of the challenges are either rehashes of previous challenges whilst others just too preposterous, an example of this is the recent Hammond stuck up a mountain rescue challenge. I know it is a bit of fun but they seem to have lost their freshness. Even the ‘star in a reasonably priced car’ is becoming just another vehicle for Hollywood to come along and plug a new film. In fact the only time these things come alive is when the F1 drivers come along and try and beat each other – Daniel Riccardo’s joy at beating Lewis Hamilton was priceless. However, besides this it is just the same thing again and again.
So Mr Clarkson if you did hit a fellow member of staff then you must go. If not you should go anyway and do something new as Top gear really has run its course
One of the joys of being me is that when it is beautiful spring day I can get out and go for a walk. Perhaps it is my inner hippy but there really are more important things than money.
They really do like staircases in Liverpool. The one on the left is from the Museum of Liverpool and the one on the right is from the recently refurbished Central Library. The library, by the way, appeared to be a much better use of public money than the new central library at Birmingham which appears to be a bit of a white elephant.
In the afternoon we went onto the marvelously and proudly Victorian Lady Lever museum at Port Sunlight. It is quite amazing (too many superfluous adjectives? Perhaps) just how much money can be made out of soap.
Has anyone in the last 100 years or so actually spent time with the Mona Lisa in the Louvre? I have never visited the museum so I can’t say what it is like for real but for what people have stood in front of the painting have told me or from what I have read it is not a pleasant experience. The Mona Lisa, after all, is probably the most famous painting in the world and so it will always be very very popular and so very few people indeed get the chance to examine it for anything other the briefest of moments before being hassled along. So who really knows what the painting look like?
The only reason I ask this is because I spent quite some time with a copy of the painting at the Walker’s Gallery in Liverpool yesterday. Was this the real painting? Of course not but, according to the blurb, it is considered to be a close approximation of the original and so probably I, and anyone else who might take the time to sit and contemplate the Liverpool painting, have a better feel for the original than the millions of visitors who file past the painting each year. Is this valid? Not sure but it is a thought that came to me as I sat there yesterday with the Hans Holbein (studio of) painting of Henry 8th glowing over my shoulder.